We’re excited today to introduce you to the latest letterpress wedding invitation inspiration from Smock! Now available at a Smock dealer near you, we’re happy to unveil our latest design – Piedmont. A sophisticated and fun new take on modern wedding invitations, the Piedmont suite features a whimsical graphic pattern printed in blind deboss letterpress and boasts Smock’s exclusive (and new!) Bescal calligraphy font, a vibrant hot pink patterned backing and a striped envelope liner in our sherbrooke pattern. Piedmont also introduces our new square invitation shape, also available as inserts and reply cards.
On trend with the latest styles for upcoming 2010 and 2011 weddings, we’re also thrilled to introduce six gorgeous new ink colors; violet, peach, hot pink, aquamarine, pumpkin and royale. These colors are bright, vibrant and perfect for celebrations of all shapes and sizes.
We’ve already hinted about our two new exclusive calligraphy fonts, Harrison and Bescal, created by world-renowned type designer Richard Kegler featuring the hand lettering of calligraphers Patricia Mumau and Kelle McCarter. (Read more about the calligraphers here and here.) They join our existing calligraphy fonts by calligrapher Debi Zeinert, Spencerian and Clermont, as part of our exclusive font collection available only through Smock.
For all of the latest inspiration from Smock, visit your local Smock dealer!
New for 2010 and recently unveiled at the National Stationery Show, we are excited to introduce you to the second of our two new calligraphy fonts exclusive to Smock! Calligrapher Patricia Mumau of Primele Studio created our new Harrison font, a bold, fresh calligraphy lettering style that we showcased on our 2010 NYIGF invitations. Patricia worked alongside our internationally recognized typography firm to create her amazing new font and we’re proud to show it off! All of our calligraphy fonts (now four in total) are available with no additional calligraphy fee when you order custom letterpress stationery from Smock. Visit one of our awesome Smock dealers to see samples!
Today it is our pleasure to welcome Patricia to the blog for a little Q + A session. Welcome, Patricia!
How did you become interested in calligraphy?
I was studying in Rome at the time, and I came across a street vendor selling antique mail to collectors – old letters and postcards, amazing postage, meaty papers – and all with the most fascinating handwriting. The penmanship was imperfect but graceful, for everyday and yet lucidly personal. I wanted to capture that candid natural hand in a contemporary calligraphy and began experimenting.
What tools does someone need to start learning calligraphy?
Patience, creative freedom, access to a library, a pen nib and holder, and a bottle of ink in a irresistible color.
What was the process like for designing a font for Smock?
For my part, I created gobs of handwriting samples. I took time to consider the nuances of my mark making – the way I dotted my “i”s, the curve of my question mark…
What do you think makes hand calligraphy so special?
Some projects really need that look of handwritten typography, and having access to handwriting styles on demand with calligraphy fonts makes a great addition to a graphic designer’s toolbox. But however useful, fonts can’t do everything. When it comes to spot phrases that require a bit of artistic flare and incorporated flourishes, hand calligraphy is the better fit.
What was the first lettering style you learned?
Classic American Cursive in 2nd grade. I am glad to have put those “Q”s masquerading as “2”s behind me.
Are you right or left handed?
I’m left handed, which made things interesting at first as I was learning. But with a bit of trial and error I figured out techniques that worked for me.
What’s a normal workday like for you?
#1) Coffee. Next I usually go over what’s on the docket with my sister Rachel who manages the studio’s projects. I do most of my addressing in the late morning and early afternoon, and work on design projects such as invitations in the later part of the day.
Other than invitations, envelopes and place cards, what other fun things do people have hand-lettered?
I’ve created logos, transcribed letters, and designed calling cards. Currently I’ve been creating a lot of hand-lettering for return address stamps.
What is your favorite letter in the alphabet to calligraph?
A capital “Z”, all the way.
What fictional character would you be and why?
Virginia Lee Burton’s Little House. I’d like to think that while the world is constantly changing all around me, that I’d remain true to the builder’s intentions…and maybe someday make a move to a fantastic landscape and get a new coat of paint.
Where do you look for inspiration?
Mid-century picture book illustration, piped birthday cakes, American folk needlework, Swiss graphic design, opening credits to films from the 40’s and 50’s, Swedish decor, happy thoughts.
What is your favorite book of all time?
A Hole is to Dig by Ruth Krauss
How long have you been doing calligraphy professionally?
I started marketing my services late summer of 2009, so a little over a year now.
Primele consists of you and your two sisters, does everyone have a say in the design process?
We all bring our own strengths to the table. For me it’s the hand-drawn typography and illustration. I also tend to work a lot with the initial concepts and designs. Rachel does most of the work once a design is brought into the computer. She’s our Adobe software guru who makes everything graphically perfect. At different times throughout a project we’ll run it through the-kimmy. Kim has an amazing eye and a sensitive design palate, and her perfected taste acts as a kind of editor to my sometimes too-funky ideas.
New for 2010 and recently unveiled at the National Stationery Show, we are excited to introduce two new calligraphy fonts exclusive to Smock! Calligrapher Kelle McCarter of designsgirl is the talent behind our new Bescal font, a playful modern lettering style that we feature on our 2010 National Stationery Show invitations. Kelle hand lettered each of the characters in our new font, which we developed with an internationally recognized typography firm. All of our calligraphy fonts (now four in total!) are available with no additional calligraphy fee when you order stationery from Smock. Visit one of our awesome Smock dealers to see samples!
Today we are thrilled to be welcoming Kelle to our blog for a little Q + A session. Thanks, Kelle!
{Our new Bescal calligraphy font featured on our 2010 NSS invitation.}
How did you become interested in calligraphy?
I have always been enamored with beautiful writing. I remember vividly the day I became excited about learning calligraphy. I saw a logo of “Bell ‘Occhio”, a San Francisco ship, in a book. It was designed with a pointed pen illustration and whimsical lettering and it was magically captivating to me. This is when I knew I wanted to be a calligrapher.
What tools does one need to start learning calligraphy?
You need to find a good teacher (through a local calligraphy guild) or good instructional books such as The Zanerian Manual of Alphabets and Engrossing for Copperplate style lettering or for a more modern instructional guide, I like Lisa Engelbrecht’s Modern Mark Making. Then you will know what nibs inks, and papers are best for the type of calligraphy you want to learn.
What was the process like for designing a font for Smock?
I love typography and to have my calligraphy made into a font for Smock was thrilling. The key to this work, which was done over several months, was to not worry about the results and to be free with my strokes so that the personality and the movement of the style would be preserved.
What do you think makes calligraphy so special?
Everyone loves the beauty of a hand lettered envelope or invitation. For those whose budget does not allow for calligraphy services, the calligraphy font is a fine alternative…True calligraphy is where pen and ink meet paper and there is no substitute for this artistic, textural and organic element. It is one of the most special details of a wedding; just ask any bride who has heard the oohs and aahs from those receiving a hand lettered wedding invitation in the mail.
What was the first calligraphy style you learned?
I spent months with my first teacher, Laurie Doctor, learning monoline lettering, the simplest form of lettering with no thick or thin lines, to gain a foundation for developing the basic strokes of each letter. At this time, I did not even know how to put ink on my nib.
Are you right or left handed?
I am a left handed calligrapher which presents some challenges in calligraphy because most oblique pen holders and broad edged nibs are made for right handers. But an artist and fellow calligrapher recently hand carved a left-handed oblique penholder out of African Blackwood for me that I am learning to use.
What is a normal workday like for you?
Since I work from my home studio, I must establish a regimented schedule. I handle client correspondence in the morning and then work in my studio until lunchtime. Our two Golden Retrievers, Garner and Gibson, are always by my side at my desk and can often be found with splatters of ink on their noses. They are very good assistants. I break for lunch, maybe hike with our “girls” and then resume projects in the afternoon. I usually end my work before dinner. If I did not set limits on my workday, I would be in my studio around the clock. I reserve time in the evening for practice and experimentation.
Other than invitations, envelopes and place cards, what other fun things do people have hand lettered?
Wedding vows are a popular anniversary gift that I am asked to do. I love doing calligraphy for custom rubber stamps and one of my favorite projects was creating forty “I Love You” note cards for a client to place in her husband’s suitcase when he traveled. My goal is to be the first to do custom calligraphy for golf balls. The idea comes from my father who was a PGA Tour professional and he was the first to have his signature imprinted on a Titleist golf ball.
What is your favorite letter in the alphabet to calligraphy?
It is the capital “D”. There is a rhythm to this stroke that is like a waltz- one and two and three and four. It is done with only one stroke and ends with a beautiful swirl that tucks into the vertical stem of the “D”.
If you could be any fictional character, who would you be and why?
It must be Super Woman for her ability to fly, have daily adventures, right wrongs and save the world.
What do you look to for inspiration?
This is the most exciting aspect of my work and my designsgirl business. I awake and fall asleep filled with ideas of what I want to create and calligraphy styles I want to develop and I love incorporating my calligraphy into embroidery and journaling projects. The inspiration is everywhere, particularly from fashion designer sketches and illustrations, textile patterns, flowers, architecture, typography, interior design, paintings, magazine and books.
What is your favorite book of all time?
This like asking to name my favorite child; impossible. For classic literature, The Age of Innocence by Edith Wharton. For artistic creativity and uniqueness, Century Girl: 100 Years in the Life of Doris Eaton Travis, Last Living Star of the Ziegfeld Follies by Lauren Redniss.
How long have you been doing calligraphy professionally?
I started designsgirl officially when I married and moved to Denver four years ago. It has been a dream of a lifetime.
You are very accomplished on the golf course. How many hours do you get to spend on a course a week now that you have designsgirl?
My husband began playing golf when we married, just for my sake, but now he is an avid golfer. We practice three to four hours each week and play about once a week at the Country Club at Castle Pines, where we live.
We printed these charming little letterpress escort cards for Write For You in Washington, DC. They’re a customization of our Rhon letterpress invitation design, printed in spring and pewter inks featuring our Smock Spencerian calligraphy font and corner rounding.
These pretty letterpress social stationery pieces are from our Juine suite featuring a folded social note and a grommeted hang tag. Both are printed in olive and azalea inks, and the envelope is lined in our mondsee pattern printed in azalea. The hang tag features our Smock Clermont calligraphy font while the social note showcases Farringdon, one of the standard monogram options available in our Social Occasions album. Thank you to our friends at Alphagraphics in Chicago for bringing us this cool customization!
Niki Kantor Rubin, proprietress of Papery & Cakery in Boca Raton, Florida brings a unique background to her unique business, a stationery and patisserie boutique. With an educational background in history and a law degree from George Washington University, Niki began her career clerking for a criminal judge. From the beginning, her law practice failed to be completely satisfying and she had never shaken her lifelong passion for design, art and creating. Then a few years ago she starting planning her wedding to her “camp sweetheart” – they met while both working as counselors at a summer camp nearly a decade ago – and realized how much she loved planning all of the stationery and paper details that they incorporated in their celebration. Along the way, she met the owner of the stationery store that is now Papery & Cakery – one thing led to another and when Niki was offered the opportunity to buy the store she did so. And she never looked back.
These days, Niki loves working with clients to create the stationery of their dreams. Unlike her days in law practice, she’s now inspired by what she does and feels lucky to help people celebrate the special occasions in their lives. Niki shares, “I’m inspired by everything around me. Florida weather is truly amazing. We live near the ocean and walk our golden retriever [and Papery & Cakery mascot], Ray, to the beach almost daily. I try to carry environmentally friendly vendors, like Smock for all of my clients. I’m a magazine junkie, and get butterflies when Martha Stewart arrives in the mail. There is so much to see on the web, I try to keep up with the blogging world, and keep my blog contemporary and chic.”
We’ve mentioned it before, but in addition to all things paper and letterpress, here at Smock we have a pretty deeply rooted love for yummy treats, too. The Papery & Cakery blog is one of our favorite reads because it celebrates two of our favorite things – stationery and delicious sweets. Each week, Niki’s sister Ali, who was a pastry student when Niki launched Papery & Cakery and is now a freelance baker in New York City, shares her inspired recipes in her Cakery Friday feature. Last week, she showcased her recipe for festive pumpkin spice marshmallows, which Ali and Niki were sweet enough to share here on the Smock blog…
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The second runner-up in our Smock Design Contest is this inspired Rhon customization, a beautiful suite of pieces in tangerine and taupe, from The Write Image in Salt Lake City. Smock’s Creative Director, Amy Graham Stigler, fell in love with the sophisticated color palette and the use of our beautiful Smock Spencerian calligraphy font. With the leaves changing rapidly in Upstate NY, we think it’s the perfect letterpress invitation set for a charming fall wedding.
The letterpress reply cards feature 1-color letterpress, printed in taupe. Not only is it really chic, but it’s also a great option for keeping letterpress more affordable. We always suggest this as a great way to save money without losing a bit of style.
And we all know that nothing says “thank you” quite like customized letterpress thank you cards to coordinate with your letterpress invitations. These letterpress thank you notes are especially beautiful and definitely among our recent favorites to print. (See more of our favorite letterpress thank you cards.)
Thank you so much to our friends at The Write Image for sending us this beautiful letterpress customization! We’re winding down on revealing the winners of our Smock design contest so stay tuned – the last two honorees are absolutely incredible customizations!